Edinburgh Printmakers Summer School 2011

Week 1: 18 - 21 July 2011 >
Digital Imaging and Screenprinting

Week 2: 25 - 28 July 2011 >
Alternative Etching

Week 2: 25 - 28 July 2011 >
Stone Lithography

Week 3: 1 - 4 August 2011 >
Japanese Woodblock Printing

Our summer school programme for 2011 consists of four separate exciting courses. Participants may choose to attend for one or more weeks.  Each course lasts for 4 days allowing ample opportunity to learn each process and then explore it’s creative possibilities in a more advanced way.  Small class numbers ensure that there is ample opportunity for hands-on participation and guidance from our tutors.

Summer School courses run from Monday - Thursday 10 am - 5 pm plus 2 optional untutored days on Friday & Saturday to complete any printing. Each course is also accompanied by comprehensive notes and a free associate membership of Edinburgh Printmakers until April 2012.

Price per week is £330/£260 concessions which includes all materials.

Participants may choose to attend for one, two or three weeks and there is a discount for attending more than one.
£620 for two weeks (£500 concessions)
£800 for three weeks (£750 concessions)
*subject to course availability.

The summer school offers a great opportunity to spend four days making prints in our well equipped spacious workshop with attentive instruction from our experienced tutors. We only run small class sizes, with a maximum 8 participants. As the class runs from Monday to Thursday, participants can use the Friday to finish off any printing etc in the studio although this day is not tutored. In past years, our summer schools have been attended by artists from all over Britain and abroad with many people choosing to stay in Edinburgh and continue working in the print-studio for a week or two after the course. Printmaking specialists and beginners alike can be accommodated by each class with personal tuition developing each individuals area of interest.

How to book >

Accommodation, Download pdf >

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Week 1: 18 - 21 July 2011
Digital Imaging and Screenprinting
Course Tutors: Gillian Murray, Leena Nammari

Digital imaging and Screenprinting will explore the fusion of old and new. Initially exploring ways of using Adobe Photoshop software to manipulate and prepare images for output to acetate. The course will concentrate on the practicalities of creating work digitally with a view to printing acetate separations for screenprinting. The acetates will then be exposed to screens and used to explore the images further using traditional hands-on printmaking techniques. There will be some exploration of combining layers made digitally with hand drawn (autographic) separations and ample opportunity for people to spend time with either digital manipulation or printmaking.

Previous experience: some basic experience of Adobe Photoshop and working with Apple Macs is required.

Course Topics:

Introduction to digital imaging

  • Inputting: scanning, digital camera, web images

  • Understanding image size and resolution, constraining file size and proportions

  • Modes, changing to greyscale

  • Adjusting tone with levels, curves and info box

  • Saving files. File types, compression

Creating separations

  • Adjusting tonality to compensate for difference in images on screen vs paper

  • Other tonal controls- dodge, burn, unsharp mask

  • Dot sizes and patterns- Looking at dot pattern examples on acetates

  • Bitmap mode- diffusion dither, bitmap dot patterns

  • Printers: preparing files for Ink Jet, Laser printer,

Multiple separations

  • Working with layers

  • Approaches to creating multiple separations using layers and channels

  • Screen angles and avoiding moire patterns

  • Selecting and printing individual layers and channels

  • Printing out acetates, defining dot patterns

Screenprinting

  • Relative dot sizes and patterns for use in screenprinting

  • Preparing and exposing screens for screenprinting

  • Printing

  • Colour proofing, creating alternative colour variations

  • Combining digital separations with autographic stencils

Image specifications.*

Participants may wish to prepare and bring digital images on CD or USB stick. Adobe Photoshop files, Adobe Illustrator, JPEG files and Digital camera images on CD are all acceptable. Files should be 160 dpi or higher at 28 x 42 cm as the printed image size will be approx A3. If in doubt bring larger files and we can scale them.

PC format zip and floppy disks are not compatible with our Mac system.

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Week 2: 25 - 28 July 2011
Alternative Etching
Course tutor: Bronwen Sleigh

Alternative etching will explore a range of new processes and techniques that have been explored and developed at Edinburgh Printmakers. Our aim is to encourage an experimental and creative approach to etching. While keeping up our efforts to maintain a safer working environment and to avoid the more toxic products used in traditional etching, we are continuously researching alternative etching techniques and products to try to achieve the best possible results in the most efficient way. During the summer school you will be given an in-depth introduction into etching using the products that we have found to be the most successful, offering versatile, flexible ways of working with high-quality, dependable results.

The course aims to introduce you to the etching process from beginning to end – introducing you to vast range of drawing and mark making techniques as well as the possibilities opened up by photo etching techniques.

Topics include

  • New products and processes We will begin with an introduction to ‘Baldwin’s Ink Ground’ (B.I.G.). This is the ground that we are currently using as a hard ground and also as a wet ground (an alternative to a traditional soft ground).

  • Alternative lift ground - positive mark making.  Here we try an alternative to the "sugar lift" process, enabling us to paint and draw positive marks.

  • Acrylic resist aquatint  We learn to use an acrylic resist aquatint, an alternative to the traditional aquatint

  • Creating etching plates using the photo-polymer processes We begin by looking at the options available to us for creating artwork as ‘positives’, from simple and direct techniques of drawing to digital solutions.  

  • Introduction to photo sensitive films.  We will find out about the different products available and compare and contrast the results achieved.

  • Exposure & development - how to determine the correct exposure  We begin by learning how to test the polymer and how to determine a successful exposure.  Development procedures will also be demonstrated.

  • Photo-etching techniques - using the polymer as an acid-resist  Using the polymer as an etching resist, we will demonstrate etching techniques and discuss the various chemicals and materials used.

  • Safer mordants for biting metals  We will examine the alternatives to using hazardous chemicals such as nitric acid, how to prepare the chemicals and relevant health & safety and environmental issues.

  • Inking Up and Printing Techniques We learn how much scope to there is to control your final artwork by using different inks and printing techniques

  • Editioning tips and advice We learn how to edition prints, looking at paper soaking techniques, different drying techniques. Tearing down paper and correctly numbering and signing an edition

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Week 2: 25 - 28 July 2011
Stone Lithography
Course tutor: Alastair Clark

This masterclass will explore the fascinating mark-making and layering possibilities of stone lithography. Working directly on the stones’ surface allows a direct approach to making marks and images. Explore drawing and transfer techniques including crayon, tusche washes, and photocopy transfers. Find out how to prepare stones for printing and experiment with this wonderful medium. This course gives a comprehensive introduction to Stone Lithography and is suitable either for those without previous lithography experience or for those wishing to refresh their skills. During the course each person will produce prints exploring the unique mark-making opportunities offered by the medium and learn the practicalities of preparing and printing lithographs by hand.

The course will cover the following topics

  • Stone preparation

  • Drawing materials and methods

  • Wash drawing materials and methods

  • Transfers

  • Maniere-noire working methods

  • Gum-resists, acid biting and soap wash

  • Stone etching and processing

  • Printing in black and white

  • Multi colour printing and registration

  • Ink mixing

Edinburgh Printmakers has a well equipped lithography studio, with 3 motorised stone presses a wide range of stones and a stone-lift trolley to take much of the effort out of printing enabling the artist to focus on the creative possibilities of the medium.

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Week 3: 1 - 4 August 2011
Japanese Water-Based Woodblock Printing, Summer School
Course Tutor: Paul Furneaux

This four day masterclass in Japanese Water-based woodblock printing will explore the wide range of materials and techniques used in this intriguing, subtle and ancient process. The course will consist of a combination of demonstrations, group exploration followed by the opportunity for each individual to create and print.

Paul was awarded a Monbusho scholarship to undertake a Masters in woodblock printing at Tama Art University Japan.

‘I have always admired the prints of the Ukiyoe masters. I subsequently became interested in the many contemporary Japanese printers using some of these limited and simple techniques in contemporary and often complex ways. The underlying themes in my work have remained similar over the years at times less obvious although there to be picked up on if desired. I feel the grain of the wood is an integral part of the finished print. Also the versatility of the hand made Japanese paper “Washi” has allowed me to print not only conventionally on the front of the paper but also through the back of the paper to.’

The course will cover

  • Wood types suitable for Japanese wood block

  • Sizing and preparing paper for wood block

  • Cutting techniques and methods

  • Cutting tools and their uses

  • Watercolour ink, ground pigments and gouache for woodblock printing

  • Varnish resist and drypoint techniques

  • Printing woodblocks by hand

  • Printing multiple blocks

  • Registration techniques for printing multiple blocks

  • Paper drying

Tutors

Alastair Clark is the Assistant Director at Edinburgh Printmakers. He has worked as lithography specialist, collaborating with artists and producing all Edinburgh Printmakers published lithographs for the past ten years teaching stone and plate lithography courses plus teaching printmaking at Edinburgh College of Art. More recently his work combines digital imaging, lithography and screenprinting. He is a professional member of the Society of Scottish Artists.

Paul Furneaux is well known for his characteristic bold and colourful Japanese woodblock prints. Paul was awarded a Monbusho scholarship to undertake a Masters in woodblock printing at Tama Art University Japan and has taught numerous workshops in Britain and abroad. He has exhibited nationally and internationally recently undertaking residencies in Norway and Ireland.

Gillian Murray is the Screenprinting specialist at Edinburgh Printmakers, running this busy area of the workshop she is an experienced teacher taking all our screenprinting classes and often works collaboratively with invited artists as part of our print publishing programme. Both screenprinting and collagraph are at the heart of her prints which combine vivid colour with organic imagery.

Leena Nammari is the Studio Technician at Edinburgh Printmakers.  She has a vast experience of running workshops in both printmaking, digital and photographic disciplines. Her own work often combines aspects of photography, bookmaking, object-making incorporating cyanotype, liquid light and screenprinting.

Bronwen Sleigh is the recently appointed Etching technician at Edinburgh Printmakers. Bronwen has taught printmaking classes at Edinburgh Printmakers, Glasgow Print Studio, The Royal Academy and Royal College of Art in London where she completed her MA. Bronwen uses colour etching extensively in her own work, she was recently selected as one of the artists featured in the Northern Print Open.

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Booking a place on the summer school

To find out more about a course in our summer school or to book a place contact: enquiries@edinburgh-printmakers.co.uk
+44 (0)131 557 2479

Accommodation, download pdf >

Making a Booking To book a place on one of Edinburgh Printmakers’ (EP) education courses full payment must be made in advance. This is due to our courses being heavily subscribed.
 
Once your place has been confirmed by Edinburgh Printmakers’ staff payment can be made in three ways:
 
By cheque made out to Edinburgh Printmakers and sent to:
Course Bookings
Edinburgh Printmakers
23 Union Street
Edinburgh
EH1 3LR
 
Remember to include details of what course you are doing, including dates and costs, and your full contact details.

Or by card by telephoning 0131 557 2479. Edinburgh Printmakers accepts: Amex, Delta, Electron, Maestro, Mastercard, Solo, Visa, Train.
 
Or in person at Edinburgh Printmakers, Tuesday- Saturday 10 am- 5.30 pm

On receiving payment we will send you a receipt and a list of what to bring. We are happy to provide you with an invoice for your accounts if necessary
 
If you need to pay by international bank transfer please contact Edinburgh Printmakers’ for further details: enquiries@edinburgh-printmakers.co.uk
telephone 0131 557 2479.
 
Concessions
Concessions are given to: unemployed; students; senior citizens, and claimants. Courses are for 16 years and upwards. To book as a concession you must provide proof of status.
 
Reservations
Reservations for courses are only available for participants from educational institutions and / or those who are seeking funding from third parties for course expenses. A reservation can be held for a maximum of one month prior to the course start date.

Cancellation
Occasionally due to circumstances beyond our control EP may have to cancel courses and we reserve the right to do so with a minimum of one weeks notice prior to the start date. Full refunds will be given for any courses cancelled by EP.

Terms and conditions for refunds
For cancellation by course participants, full refunds will be given to those cancelling one month prior to the course start date. If cancellation notice is given two weeks prior to the course start date EP can only guarantee to refund 50% of the original cost of the course. No refund can be guaranteed if less notice is given. In this instance EP course fees may be refunded at EP’s discretion, only if we are able to fill your place. To help us do this it is important to let us know as soon as possible that you will be unable to attend.

Associate Membership
The summer school includes a free associate membership of Edinburgh Printmakers until April 2012, allowing you to put into practice the skills you have learnt on the course. As an associate member you will still be required to pay session fees each time you use the studio. Artists staying for a week can alternatively pay the visiting artists fee.

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